indeed like kord concluded, the strategy of horror films is to elicit the guilt by making the audience identify themselves with the persecutor rather than the victims. beyond the scopophilia and identification/allegiance, this film is also multilayered regarding to the speciality, the death, the corporeality, the psychoanalysis and cine-reflexivity

看韩剧十几年了，少说也有上百部了，这部目前是我心中排名第一，稳稳地。

从这里开始喜欢狄更斯，即使忘了你喜欢他充满温情和希望。